A censorship scandal erupted in 2002 when the Israel Association of United Architects (IAUA) commissioned “A Civilian Occupation: The Politics of Israeli Architecture,” and ended up cancelling the exhibition and banning the catalog when they didn’t like the results.
It was an all too honest depiction by Israeli architects and designers about the ways in which they played an essential role in the machinery of Israel’s occupation, helping in myriad ways to deny the Palestinians their human rights. In fact, the controversy inside the Green Line is no less intense over the role of mapmakers and urban planners in the deliberate erasure of Palestinian villages and history.
All this was brought to mind when I read Ken Auletta’s “The Fixer” in the February 12 edition of the New Yorker. Though the article is not online, one of our commenters thankfully posted a copy of the relevant portion.
Last year Lord Rogers, who was slated for the 1.7 billion dollar taxpayer-funded re-design of the Javits Center in NY, became engulfed in controversy when he allowed his UK office to be used for the inaugural meeting of a group called Architects and Planners for Justice in Palestine. This group dared to discuss the possibility of sanctions against those profiting from occupation and “the exposure of those construction industry professionals who accept commissions from schemes that appropriate Palestinian land and resources.”
It’s not hard to guess what happened to Rogers as soon as this was made known. David Harris of the American Jewish Committee wrote then:
Clearly, the agenda of this group reflects very deep seated anti-Israel and anti-Semitic views.
Rogers was made to publicly cut ties with the Architects’ group, which committed the apparently unpardonable crime of considering nonviolent initiatives long-employed by human rights and faith-based groups.
“The Fixer” is about PR macher Howard Rubenstein’s role in Rogers public “redemption.” It offers a sad, cautionary tale about muzzling.
George Arzt, who was a political reporter for the New York Post and press secretary to Mayor Edward I. Koch and now runs his own P.R. firm, recently watched Rubenstein come to the rescue of someone’s good name — in this case, that of Lord Richard Rogers, the British architect who had contracts for a number of New York projects, including the redesign of the Javits Center and the expansion of Silvercup Studios, in Queens. Last February, Rogers lent his London office to a group called Architects and Planners tor Justice in Palestine, who discussed the possibility of boycotting architects and construction firms building Israel’s separation barrier and West Bank settlements, saying in a statement that they were “complicit in social, political, and economic oppression.” The British press reported these statements, and when New York officials like Assembly Speaker Sheldon Silver and Representative Anthony Weiner learned about them they demanded that Rogers’s New York government contracts be cancelled; other Jewish leaders chimed in, and editorials followed.